Sourland: Stories - Couverture rigide

“Making sense of life in a cataclysmic inner and outer landscape has been Joyce Carol Oates’ obsession for five decades. This evocative new collection shows just how much sense she can make of it now.” (Chicago Tribune)

“...Innovative, brilliant...there are sentences that leave a deeply sensuous pleasure in their wake...” (San Francisco Chronicle)

“Oates’s fiction has the curious, morbid draw of a flaming car wreck. It’s a testament to Oates’s talent that she can nearly always force the reader to look.” (Publishers Weekly)

“...Vivid...the work reflects a delicious boundary-crossing mix of literary artistry and genre-writing skill...This famously prolific writer continues to surprise us, and that in itself is something to celebrate.” (Library Journal)

“A master class in the art of pure, suspenseful storytelling...Oates is a dangerous writer in the best sense of the word, one who takes risks almost obsessively with energy and relish... [a] dazzling collection.” (New York Times)

“Oates is just a fearless writer. . . with her brave heart and her impossibly lush and dead-on imaginative powers.” (Los Angeles Times)

“Oates remains . . . a living master of the short story-far more virtuosic in manner than the ecstatic realist she is usually taken to be and far more at home in the form, too.” (Buffalo News)

“We think of Oates, like Poe, as a master of terror, but her real mastery is in almost never depicting a strong emotion in isolation...Oates makes for a caustic companion in Sourland - a fearless experimenter forcing the reader ahead of her at knifepoint.” (Los Angeles Times)

A gripping and moving new collection of stories that reimagines the meaning of loss—through often unexpected and violent means.

Joyce Carol Oates is not only one of our most important novelists and literary critics, she is also an unparalleled master of the short story. Sourland—sixteen previously uncollected stories that explore how the power of violence, loss, and grief shape both the psyche and the soul—shows us an author work-ing at the height of her powers.

With lapidary precision and an unflinching eye, Oates maps the surprising contours of “ordinary” life. From a desperate man who dons a jack-o’-lantern head as a prelude to a most curious sort of courtship, to a “story of a stabbing” many times recounted in the life of a lonely girl; from a beguiling young woman librarian whose amputee state attracts a married man and father, to a girl hopelessly in love with her renegade, incarcerated cousin; from a professor’s wife who finds herself tragically isolated at a party in her own house, to the concluding title story of an unexpectedly redemptive love rooted in radical aloneness and isolation, each story in Sourland resonates beautifully with Oates’s trademark fascination for the unpredictable amid the prosaic—the comming-ling of sexual love and violence, the tumult of family life—and shines with her predilection for dark humor and her gift for voice.