Description du livre Etat : New. &Uumlber den AutorLina Khatib leads the Program on Arab Reform and Democracy at Stanford University s Freeman Spogli institute for International Studies.KlappentextThis book is an innovative collection of ess. N� de r�f. du vendeur 5898689

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Storytelling in World Cinemas (Paperback)

Lina Khatib

Edit� par Columbia University Press, New York (2012)

ISBN 10 : 0231162057 ISBN 13 : 9780231162050

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Description du livre Paperback. Etat : new. Paperback. Storytelling in World Cinemas, Vol. 1: Forms is an innovative collection of essays that discuss how different cinemas of the world tell stories. The book locates European, Asian, African, and Latin American films within their wider cultural and artistic frameworks, showing how storytelling forms in cinema are infused with influences from other artistic, literary, and oral traditions. This volume also reconsiders cinematic storytelling in general, highlighting the hybridity of 'national' forms of storytelling, calling for a rethinking of African cinematic storytelling that goes beyond oral traditions, and addressing films characterised by 'non-narration'. This study is the first in a two-volume project, with the second focusing on the contexts of cinematic storytelling. This book is an innovative collection of essays that discuss how different cinema of the world tells stories. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N� de r�f. du vendeur 9780231162050

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Storytelling in World Cinemas (Paperback)

Lina Khatib

Edit� par Columbia University Press, New York (2012)

ISBN 10 : 0231162057 ISBN 13 : 9780231162050

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Description du livre Paperback. Etat : new. Paperback. Storytelling in World Cinemas, Vol. 1: Forms is an innovative collection of essays that discuss how different cinemas of the world tell stories. The book locates European, Asian, African, and Latin American films within their wider cultural and artistic frameworks, showing how storytelling forms in cinema are infused with influences from other artistic, literary, and oral traditions. This volume also reconsiders cinematic storytelling in general, highlighting the hybridity of 'national' forms of storytelling, calling for a rethinking of African cinematic storytelling that goes beyond oral traditions, and addressing films characterised by 'non-narration'. This study is the first in a two-volume project, with the second focusing on the contexts of cinematic storytelling. This book is an innovative collection of essays that discuss how different cinema of the world tells stories. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N� de r�f. du vendeur 9780231162050

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