Free World - Couverture rigide

2011 Governor General’s Literary Awards Finalist - Fiction

Shortlisted for the 2011 Scotiabank Giller Prize

Summer, 1978. Brezhnev sits like a stone in the Kremlin,Israel and Egypt are inching toward peace, and in the bustling,polyglot streets of Rome, strange new creatures have appeared:thousands of Soviet Jews who have escaped to freedom through a crack in the Iron Curtain. Among the thousands who have landed in Italy to secure visas for new lives in the West are the members of the Krasnansky family -- three generations of Russian Jews.

There is Samuil, an old communist and Red Army veteran,who reluctantly leaves the country to which he has dedicatedhimself body and soul; Karl, his eldest son, a man eager to embrace the opportunities emigration affords; his younger son,Alec, a carefree playboy for whom life has always been a game;and Polina, Alec’s new wife, who has risked the most by breaking with her old family to join this new one. Together, they will spend six months in Rome -- their way station and purgatory. They will immerse themselves in the carnival of emigration, an Italy rife with love affairs and ruthless hustles, with dislocation and nostalgia, with the promise and peril of a better life. In the unforgettable Krasnansky family, Bezmozgis has created an intimate portrait of a tumultuous era.

Written in precise, musical prose, The Free World is a stunning debut novel, a heartfelt multigenerational saga of great historical scope and even greater human depth. Enlarging on the themes of aspiration and exile that infused his first collection, Natasha and Other Stories, The Free World establishes Bezmozgis as one of our most mature and accomplished storytellers.

Superb ... a major new talent (Independent)

Wonderfully uplifting (The Times)

Terrific ... Combines comic brilliance with a poignant portrait of a family trapped between two worlds (Sunday Times)

Colourful, sharply funny and deeply moving (Financial Times)

Alternately comic, sharp and sombre ... it's impossible not to be caught up in the tangled web of its unforgettable case (Daily Mail)

A proper novel that bulges and pulses and thrums with life ... I ended up loving it ... The principal tone is wry - mainly comedic, sometimes melancholic, occasionally tragic, ironical, playful, charming ... a rich and occasionally brilliant novel [that] is well worth reading (Observer)

David Bezmozgis projects a sense of ease that is very rare in first novels; he does everything well (Telegraph)

Self-assured, elegant and perceptive ... [his] taut 2004 debut collection Natasha and Other Stories suggested that he might well be of those authors' [Philip Roth and Leonard Michaels] caliber; The Free World goes a long way toward confirming this status (The New York Times)

Heavy with the consciousness of time, the inevitability of crises. Bezmozgis has the knack of ending scenes, chapters, especially, at the perfect reverberant moment, plangent or ironic (Guardian)

Delivered in an understated style which can accommodate serious subtext as well as ironical humour ... His portraits of the family circle are neatly rendered and compassionate ... There is no doubt Bezmozgis remains a writer worth monitoring (Independent on Sunday)